Early Modern Spain
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Title | Co-authors |
A Northern Mystery: The 1619 Translation into English of Persiles y Sigismunda. | |
Cervantes in England: The Influence of Golden-Age Prose Fiction on Jacobean Drama, c.1615-1625. (publication) | |
Fiction and History: Persiles y Sigismunda in English, 1619. (publication) | |
From Rodolfo to Roderigo: An English interpretation of La fuerza de la sangre. | |
Remorse, Retribution and Redemption in La fuerza de la sangre: Spanish and English Perspectives. (publication) | Ife, B. W. |
Resistance to Rape in Persiles y Sigismunda and The Custom of the Country. (publication) | |
The Bibliographical Significance of the Turned Letter. | |
The Black Knight’s Festival Book?: Thomas Middleton’s A Game at Chess (publication) | |
The Reception of Cervantes in England. | |
The reception of Persiles y Sigismunda in Jacobean London. | |
Translation and Transculturation: The 1619 English translation of Persiles y Sigismunda. |
Title | Co-authors |
'Es ist ein wunderlich Ding': New World miracles in the Old World | |
A Taste of Spain | |
Alimentos del humanismo. | |
Columbus and the Cannibals. | |
De lo que sucedió a los demás que entraron en las Indias’: Alvar Núñez Cabeza de Vaca and the other survivors of Pánfilo Narváez’s expedition. | |
Food, Art, and Society in Early Modern Spain | |
Many Expert Narrators: History and Fiction in the Spanish Chronicles of the New World. (publication) | Ife, B. W. |
Review of Robert Irwin, The Alhambra / Ian Robertson, Richard Ford: 1796-1858. Hispanophile, connoisseur and critic . | |
Texts and Miracles in the New World. | |
Texts and Miracles in the New World: Alvar Núñez Cabeza de Vaca. (publication) |
Title | Co-authors |
"Golden Age" or "Early Modern"? | |
"Si no está mentirosa la letra": revisiting the text of the 1492 voyage. (publication) | |
Air Travel in Cervantes (publication) | |
Alexander in the New World. | |
Anthology of Early Keyboard Methods | |
Antonio Soler: Twelve Sonatas (The Madrid Conservatory Manuscript) | |
Breaking the News: Columbus's Letters of 1493. | |
Castigos y premios en La vida es sueño. | |
Cervantes and the credibility crisis in Spanish Golden-Age fiction. | |
Cervantes, Herodotus and the Eternal Triangle: Another Look at the Sources of El curioso impertinente. | |
Cervantes, Herodotus and the Eternal Triangle: Another Look at the Sources of El curioso impertinente. | |
Cervantes’s Portuguese Lover. (publication) | |
Digitising the Conquest | |
Domenico Scarlatti | |
Dutton LB1 and the Sources of Garci Sánchez de Badajoz. (publication) | |
Don Quixote - 400 years on the road (sound) Don Quixote - 400 years on the road (sound) |
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Don Quixote's Diet (publication) | |
Don Quixote's Diet. | |
Dos versiones de Píramo y Tisbe: Fuentes para el estudio del romance 'La ciudad de Babilonia' de Góngora | |
Early Spanish Keyboard Music | |
El acervo literario. | |
From Novella to Novela: Cervantes and the Italian Short Story | |
From Salamanca to Brighton Rock: Names and Places in Cervantes's La ilustre fregona. | |
General Introduction. (publication) | |
Idealism and Materialism in Clarín's La regenta: Two Comparative Studies. | |
Interview on quincentenary of Columbus’s first voyage | |
La dieta de don Quijote. | |
La imprenta y la música instrumental del renacimiento español | |
Language through Literature: Spanish Language-Teaching Materials for Use in the University of London | |
Las dos cartas de Colón de 1493: Transmisión y público | |
Las dos cartas de Colón de 1493: Transmisión y público. | |
Lectura y ficción en la España del siglo de oro | |
Mad Cats and Knights Errant: Roberto de Nola and Don Quixote. (publication) | |
Mad Cats and Knights Errant: Roberto de Nola and Don Quixote. | |
Many Expert Narrators: History and Fiction in the Spanish Chronicles of the New World. (publication) | Goodwin, R. T. C. |
Miguel and the Detectives: Crimes and their Detection in the Novelas Ejemplares. | |
Music in Eighteenth-century Spain. | |
Old World Princes and New World Potentates. | |
Old World Princes and New World Potentates: Images of Kingship in the Discovery of America (publication) | |
Oviedo’s Historia general y moral de las Indias: the Centre Speaks from the Margin. | |
Pilgrims’ Progress: insinuaciones de la alegoría en el Persiles y Sigismunda de Cervantes (publication) | |
Private Reading and its Consequences for the Development of Spanish Golden-Age Prose Fiction | |
Reading and Fiction in Golden-Age Spain | |
Remorse, Retribution and Redemption in La fuerza de la sangre: Spanish and English Perspectives. (publication) | Darby, T. L. |
Review of A. Fernández de Avellaneda, Don Quijote de la Mancha. | |
Review of A. Fernández de Avellaneda, El ingenioso hidalgo Don Quijote de la Mancha. | |
Review of A.A. Parker, Los pícaros en la literatura: la novela picaresca en España y en Europa (1599-1753). | |
Review of A.A. Parker, The Philosophy of Love in Spanish Literature 1480-1680. | |
Review of Agueda Pedrero Encabo, La sonata para teclado: su configuración en España. | |
Review of Alan C. Soons, Haz y envés del cuento risible en el Siglo de Oro. | |
Review of Ana María Snell, Hacia el verbo: Signos y transignificación en la poesía de Quevedo. | |
Review of Anthony J. Cascardi, Ideologies of History in the Spanish Golden Age. | |
Review of Anthony Pagden, ed. Hernán Cortés: Letters from Mexico. | |
Review of Anthony Pagden, The Fall of Natural Man: The American Indian and the Origins of Comparative Ethnology. | |
Review of Arthur Terry, ed. Tirant lo Blanc. New Approaches. | |
Review of Barry Jordan and Rikki Morgan-Tamosunas, Contemporary Spanish Cinema. | |
Review of Bulletin of Hispanic Studies, ed. Dorothy Sherman Severin. | |
Review of Benito Pérez Galdós, trans. Abigail Lee-Six, Tormento. | |
Review of Bruno Mario Damiani, Montemayor's ‘Diana’, Music and the Visual Arts. | |
Review of C. George Peale, La anatomía de ‘El diablo cojuelo’: Deslindes del género anatomístico. | |
Review of Carroll B. Johnson, Inside ‘Guzmán de Alfarache’. | |
Review of Dario Fernández-Morera, The Lyre and the Oaten Flute: Garcilaso and the Pastoral. | |
Review of Diego Duque de Estrada, Octavas rimas. | |
Review of Elias L. Rivers, Garcilaso de la Vega: Poems. | |
Review of Els Joglars, 'Yo tengo un tío en América' (Riverside Studios). | |
Review of F. García Lorca, De Fray Luis a San Juan - la escondida senda. | |
Review of Federico García Lorca, 'Blood Wedding' (Lyric Hammersmith). | |
Review of Federico García Lorca, trans. John Edmunds, Four Major Plays. | |
Review of Federico García Lorca, ‘Doña Rosita the Spinster’ (Almeida Theatre). | |
Review of Federico García Lorca, ‘Mariana Pineda’ (Gate Theatre). | |
Review of Fernando de Rojas, 'Celestina' (Lyric Studio, Hammersmith). | |
Review of Gordon Brotherston, Book of the Fourth World. Reading the Native Americas through their Literature. | |
Review of Harry Sieber, The Picaresque. | |
Review of Howard Mancing, The Chivalric World of ‘Don Quijote’: Style, Structure and Narrative Technique. | |
Review of Ian Gibson, The Shameful Life of Salvador Dalí. | |
Review of J. Wesley Childers, Tales from Spanish Picaresque Novels. | |
Review of James Iffland, ed. Quevedo in Perspective. | |
Review of Juan de Timoneda, El patrañuelo. | |
Review of Javier Reverte, Dios, el diablo y la aventura. | |
Review of John G. Weiger, The Substance of Cervantes. | |
Review of Julián Olivares, The Love Poetry of Francisco de Quevedo: An Aesthetic and Existential Study. | |
Review of K. Khalaili and B. Marina, English Phrasal Verbs in Spanish. | |
Review of Kirkpatrick Sale, The Conquest of Paradise | |
Review of Luis Buñuel, An Unspeakable Betrayal. | |
Review of Lope de Vega, 'Madness in Valencia' (Gate Theatre). | |
Review of Lope de Vega, ‘The Jewess of Toledo’ (Bridewell). | |
Review of Margarita Zamora, Language, Authority and Indigenous History in the ‘Comentarios reales de los Incas’ | |
Review of Mario Vargas Llosa, 'The Madman of the Balconies' (Gate Theatre). | |
Review of Maurice Esses, Dance and Instrumental Diferencias in Spain during the 17th and early 18th Centuries. | |
Review of Marina Scordilis Brownlee, The Poetics of Literary Theory. Lope de Vega's ‘Novelas a Marcia Leonarda’ and their Cervantine Context. | |
Review of Mark Kurlansky, The Basque History of the World. | |
Review of Marsha Kinder, Luis Buñuel’s ‘The Discreet Charm of the Bourgeoisie’. | |
Review of Miguel de Cervantes Saavedra, ed. Francisco Rico, Don Quijote de la Mancha. | |
Review of Miguel de Cervantes Saavedra, ‘El Quijote’ (Gate Theatre). | |
Review of Monique Joly, La Bourle et son interprétation. (Espagne, 16/17 Siècles). | |
Review of Nick Ward/Giovanni Boccaccio, ‘The Decameron’ (Gate Theatre). | |
Review of Osvaldo Rodríguez Pérez, La novela picaresca como transformación textual. | |
Review of Pedro Almodóvar, All About My Mother. | |
Review of Pedro Almodóvar, Live Flesh. | |
Review of Pedro Calderón de la Barca, 'The Painter of Dishonour' (The Other Place, Stratford-upon-Avon). | |
Review of Pedro Calderón de la Barca, 'The Painter of Dishonour', a new version by David Johnston and Laurence Boswell. | |
Review of Pedro Calderón de la Barca, trans. Kenneth Muir and Ann L. Mackenzie, Three Comedies. | |
Review of Phillips and Phillips, The Worlds of Christopher Columbus | |
Review of Peter William Evans, ed. Spanish Film. The Auteurist Tradition. | |
Review of R.B. Tate, ed. Essays on Narrative Fiction in the Iberian Peninsula in Honour of Frank Pierce. | |
Review of Ramón del Valle Inclán, ‘Silverface’ (Gate Theatre). | |
Review of Ramón del Valle-Inclán, 'Bohemian Lights' (Gate Theatre). | |
Review of Tirso de Molina, ‘Don Juan’ (BAC Theatre).Review of Tirso de Molina, ‘Don Juan’ (BAC Theatre). | |
Review of William Ferguson, La versificación imitativa en Fernando de Herrera. | |
Sir Henry Thomas Memorial Lecture. | |
Some Uses of Pastoral in Don Quijote (publication) | |
Spain and the Renaissance: Re-centring the Subject. (publication) | |
Spanish in Higher Education: A University View. | |
The Columbus Encounter | |
The Historical and Social Context. (publication) | |
The Keyboard Sonatas of Antonio Soler. | |
The Keyboard Sonatas of Antonio Soler: Towards a Chronology and a Typology. | |
The Literary Heritage. | |
The Literary Impact of the New World: Columbus to Carrizales. (publication) | |
The Literary Impact of the New World: Columbus to Carrizales. | |
The New World and the Literary Imagination. | |
The Origins of the Novel in Spain. | |
The Printing of Keyboard Music in Renaissance Spain. | |
The Real and its Effect in the Spanish Picaresque. | |
The Ramsden-Gybbon Monypenny Commemorative Lecture. | |
The Reception of Spanish Books in Early Modern England | |
The Wound and the Bow: Cervantes, Philoctetes and the Pathology of Genius. | |
Verhaal-archetypen in de biografie van Domenico Scarlatti. | |
Was the Novel a Spanish Invention?. |
Title | Co-authors |
Anti-Semitism, Class and Lope de Vega's El niño inocente de la Guardia. | |
Bibliographical descriptions, indexing documents, site design and critical apparatus of three hundred festival books | |
Changing Places: The Marriage and Royal Entry of Felipe, Prícipe de Asturias, and Mary Tudor, July - August 1554. | |
Database of translations from Spanish into English, 1475 - 1640 | |
Don Diego Hurtado de Mendoza and the Jewess of Venice. | |
El teatro del triunfo: representaciones de monarquía en celebraciones cívicas e en el teatro. | |
Francisco de los Cobos and Juan Martínez Siliceo: the adelantamiento of Cazorla, converso culture and the Toledo Cathedral chapter's 1547 estatuto de limpieza de sangre. | |
Introduction1623 and the Politics of Translation. | |
Review of Barbara Fuchs, Mimesis and Empire: The New World, Islam and European Identities. | |
Review of Christoph Strosetzki, ed. Aspectos históricos y culturales bajo Carlos V / Aspekte der Geschicte und Kultur unter Karl V. | |
Review of Hilaire Kallendorf, Exorcism and Its Texts: Subjectivity in Early Modern Literature of England and Spain.. | |
Review of Kathy Eden, Friends hold all things in common: tradition, intellectual property, and the Adages of Erasmus. | |
Review of Lope de Vega, Fuente Ovejuna. El caballero de Olmedo / Tirso de Molina, El burlador de Sevilla. Marta la Piadosa / Pedro Calderón de la Barca, El príncipe constante. | |
The Spanish Armada. | |
Textual Translation and the Rise of the European Novel. |
Title | Co-authors |
A generic approach to markup for complex scholarly materials. | |
La integración del patrimonio cultural, de la investigación académica, y de la tecnología: el hub de información 'Early Modern Spain' - un estudio de casos. | |
The XML publishing framework for the electronic publication of Aphrodisias in Late Antiquity. | |
xMod: a TEI-based publishing application for humanities documents. |