| Title |
Co-authors |
| "Golden Age" or "Early Modern"?
|
|
| "Si no está mentirosa la letra": revisiting the text of the 1492 voyage. (publication)
|
|
| Air Travel in Cervantes (publication)
|
|
| Alexander in the New World.
|
|
| Anthology of Early Keyboard Methods
|
|
| Antonio Soler: Twelve Sonatas (The Madrid Conservatory Manuscript)
|
|
| Breaking the News: Columbus's Letters of 1493.
|
|
| Castigos y premios en La vida es sueño.
|
|
| Cervantes and the credibility crisis in Spanish Golden-Age fiction.
|
|
| Cervantes, Herodotus and the Eternal Triangle: Another Look at the Sources of El curioso impertinente.
|
|
| Cervantes, Herodotus and the Eternal Triangle: Another Look at the Sources of El curioso impertinente.
|
|
| Cervantes’s Portuguese Lover. (publication)
|
|
| Digitising the Conquest
|
|
| Domenico Scarlatti
|
|
| Dutton LB1 and the Sources of Garci Sánchez de Badajoz. (publication)
|
|
Don Quixote - 400 years on the road (sound)
Don Quixote - 400 years on the road (sound)
|
|
| Don Quixote's Diet (publication)
|
|
| Don Quixote's Diet.
|
|
| Dos versiones de Píramo y Tisbe: Fuentes para el estudio del romance 'La ciudad de Babilonia' de Góngora
|
|
| Early Spanish Keyboard Music
|
|
| El acervo literario.
|
|
| From Novella to Novela: Cervantes and the Italian Short Story
|
|
| From Salamanca to Brighton Rock: Names and Places in Cervantes's La ilustre fregona.
|
|
| General Introduction. (publication)
|
|
| Idealism and Materialism in Clarín's La regenta: Two Comparative Studies.
|
|
| Interview on quincentenary of Columbus’s first voyage
|
|
| La dieta de don Quijote.
|
|
| La imprenta y la música instrumental del renacimiento español
|
|
| Language through Literature: Spanish Language-Teaching Materials for Use in the University of London
|
|
| Las dos cartas de Colón de 1493: Transmisión y público
|
|
| Las dos cartas de Colón de 1493: Transmisión y público.
|
|
| Lectura y ficción en la España del siglo de oro
|
|
| Mad Cats and Knights Errant: Roberto de Nola and Don Quixote. (publication)
|
|
| Mad Cats and Knights Errant: Roberto de Nola and Don Quixote.
|
|
| Many Expert Narrators: History and Fiction in the Spanish Chronicles of the New World. (publication)
|
Goodwin, R. T. C. |
| Miguel and the Detectives: Crimes and their Detection in the Novelas Ejemplares.
|
|
| Music in Eighteenth-century Spain.
|
|
| Old World Princes and New World Potentates.
|
|
| Old World Princes and New World Potentates:
Images of Kingship in the Discovery of America (publication)
|
|
| Oviedo’s Historia general y moral de las Indias: the Centre Speaks from the Margin.
|
|
| Pilgrims’ Progress: insinuaciones de la alegoría en el Persiles y Sigismunda de Cervantes (publication)
|
|
| Private Reading and its Consequences for the Development of Spanish Golden-Age Prose Fiction
|
|
| Reading and Fiction in Golden-Age Spain
|
|
| Remorse, Retribution and Redemption in La fuerza de la sangre: Spanish and English Perspectives. (publication)
|
Darby, T. L. |
| Review of A. Fernández de Avellaneda, Don Quijote de la Mancha.
|
|
| Review of A. Fernández de Avellaneda, El ingenioso hidalgo Don Quijote de la Mancha.
|
|
| Review of A.A. Parker, Los pícaros en la literatura: la novela picaresca en España y en Europa (1599-1753).
|
|
| Review of A.A. Parker, The Philosophy of Love in Spanish Literature 1480-1680.
|
|
| Review of Agueda Pedrero Encabo, La sonata para teclado: su configuración en España.
|
|
| Review of Alan C. Soons, Haz y envés del cuento risible en el Siglo de Oro.
|
|
| Review of Ana María Snell, Hacia el verbo: Signos y transignificación en la poesía de Quevedo.
|
|
| Review of Anthony J. Cascardi, Ideologies of History in the Spanish Golden Age.
|
|
| Review of Anthony Pagden, ed. Hernán Cortés: Letters from Mexico.
|
|
| Review of Anthony Pagden, The Fall of Natural Man: The American Indian and the Origins of Comparative Ethnology.
|
|
| Review of Arthur Terry, ed. Tirant lo Blanc. New Approaches.
|
|
| Review of Barry Jordan and Rikki Morgan-Tamosunas, Contemporary Spanish Cinema.
|
|
| Review of Bulletin of Hispanic Studies, ed. Dorothy Sherman Severin.
|
|
| Review of Benito Pérez Galdós, trans. Abigail Lee-Six, Tormento.
|
|
| Review of Bruno Mario Damiani, Montemayor's ‘Diana’, Music and the Visual Arts.
|
|
| Review of C. George Peale, La anatomía de ‘El diablo cojuelo’: Deslindes del género anatomístico.
|
|
| Review of Carroll B. Johnson, Inside ‘Guzmán de Alfarache’.
|
|
| Review of Dario Fernández-Morera, The Lyre and the Oaten Flute: Garcilaso and the Pastoral.
|
|
| Review of Diego Duque de Estrada, Octavas rimas.
|
|
| Review of Elias L. Rivers, Garcilaso de la Vega: Poems.
|
|
| Review of Els Joglars, 'Yo tengo un tío en América' (Riverside Studios).
|
|
| Review of F. García Lorca, De Fray Luis a San Juan - la escondida senda.
|
|
| Review of Federico García Lorca, 'Blood Wedding' (Lyric Hammersmith).
|
|
| Review of Federico García Lorca, trans. John Edmunds, Four Major Plays.
|
|
| Review of Federico García Lorca, ‘Doña Rosita the Spinster’ (Almeida Theatre).
|
|
| Review of Federico García Lorca, ‘Mariana Pineda’ (Gate Theatre).
|
|
| Review of Fernando de Rojas, 'Celestina' (Lyric Studio, Hammersmith).
|
|
| Review of Gordon Brotherston, Book of the Fourth World. Reading the Native Americas through their Literature.
|
|
| Review of Harry Sieber, The Picaresque.
|
|
| Review of Howard Mancing, The Chivalric World of ‘Don Quijote’: Style, Structure and Narrative Technique.
|
|
| Review of Ian Gibson, The Shameful Life of Salvador Dalí.
|
|
| Review of J. Wesley Childers, Tales from Spanish Picaresque Novels.
|
|
| Review of James Iffland, ed. Quevedo in Perspective.
|
|
| Review of Juan de Timoneda, El patrañuelo.
|
|
| Review of Javier Reverte, Dios, el diablo y la aventura.
|
|
| Review of John G. Weiger, The Substance of Cervantes.
|
|
| Review of Julián Olivares, The Love Poetry of Francisco de Quevedo: An Aesthetic and Existential Study.
|
|
| Review of K. Khalaili and B. Marina, English Phrasal Verbs in Spanish.
|
|
| Review of Kirkpatrick Sale, The Conquest of Paradise
|
|
| Review of Luis Buñuel, An Unspeakable Betrayal.
|
|
| Review of Lope de Vega, 'Madness in Valencia' (Gate Theatre).
|
|
| Review of Lope de Vega, ‘The Jewess of Toledo’ (Bridewell).
|
|
| Review of Margarita Zamora, Language, Authority and Indigenous History in the ‘Comentarios reales de los Incas’
|
|
| Review of Mario Vargas Llosa, 'The Madman of the Balconies' (Gate Theatre).
|
|
| Review of Maurice Esses, Dance and Instrumental Diferencias in Spain during the 17th and early 18th Centuries.
|
|
| Review of Marina Scordilis Brownlee, The Poetics of Literary Theory. Lope de Vega's ‘Novelas a Marcia Leonarda’ and their
Cervantine Context.
|
|
| Review of Mark Kurlansky, The Basque History of the World.
|
|
| Review of Marsha Kinder, Luis Buñuel’s ‘The Discreet Charm of the Bourgeoisie’.
|
|
| Review of Miguel de Cervantes Saavedra, ed. Francisco Rico, Don Quijote de la Mancha.
|
|
| Review of Miguel de Cervantes Saavedra, ‘El Quijote’ (Gate Theatre).
|
|
| Review of Monique Joly, La Bourle et son interprétation. (Espagne, 16/17 Siècles).
|
|
| Review of Nick Ward/Giovanni Boccaccio, ‘The Decameron’ (Gate Theatre).
|
|
| Review of Osvaldo Rodríguez Pérez, La novela picaresca como transformación textual.
|
|
| Review of Pedro Almodóvar, All About My Mother.
|
|
| Review of Pedro Almodóvar, Live Flesh.
|
|
| Review of Pedro Calderón de la Barca, 'The Painter of Dishonour' (The Other Place, Stratford-upon-Avon).
|
|
| Review of Pedro Calderón de la Barca, 'The Painter of Dishonour', a new version by David Johnston and Laurence Boswell.
|
|
| Review of Pedro Calderón de la Barca, trans. Kenneth Muir and Ann L. Mackenzie, Three Comedies.
|
|
| Review of Phillips and Phillips, The Worlds of Christopher Columbus
|
|
| Review of Peter William Evans, ed. Spanish Film. The Auteurist Tradition.
|
|
| Review of R.B. Tate, ed. Essays on Narrative Fiction in the Iberian Peninsula in Honour of Frank Pierce.
|
|
| Review of Ramón del Valle Inclán, ‘Silverface’ (Gate Theatre).
|
|
| Review of Ramón del Valle-Inclán, 'Bohemian Lights' (Gate Theatre).
|
|
| Review of Tirso de Molina, ‘Don Juan’ (BAC Theatre).Review of Tirso de Molina, ‘Don Juan’ (BAC Theatre).
|
|
| Review of William Ferguson, La versificación imitativa en Fernando de Herrera.
|
|
| Sir Henry Thomas Memorial Lecture.
|
|
| Some Uses of Pastoral in Don Quijote (publication)
|
|
| Spain and the Renaissance: Re-centring the Subject. (publication)
|
|
| Spanish in Higher Education: A University View.
|
|
| The Columbus Encounter
|
|
| The Historical and Social Context. (publication)
|
|
| The Keyboard
Sonatas of Antonio Soler.
|
|
| The Keyboard Sonatas of Antonio Soler: Towards a Chronology and a Typology.
|
|
| The Literary Heritage.
|
|
| The Literary Impact of the New World: Columbus to Carrizales. (publication)
|
|
| The Literary Impact of the New World: Columbus to Carrizales.
|
|
| The New World and the Literary Imagination.
|
|
| The Origins of the Novel in Spain.
|
|
| The Printing of Keyboard Music in Renaissance Spain.
|
|
| The Real and its Effect in the Spanish Picaresque.
|
|
| The Ramsden-Gybbon Monypenny Commemorative Lecture.
|
|
| The Reception of Spanish Books in Early Modern England
|
|
| The Wound and the Bow: Cervantes, Philoctetes and the Pathology of Genius.
|
|
| Verhaal-archetypen in de biografie van Domenico Scarlatti.
|
|
| Was the Novel a Spanish Invention?.
|
|
